Wang Guangyi, Coca-Cola (1990-1993) The Great Criticism Series
These works use the Cultural Revolution posters pictures and symbol of modern Western goods. He felt the original meaning has been completely successful in this series of works in this series would prejudice, but also this time, he began to formally considered political posters and trademarks are two ways of brainwashing. Wang Guangyi's response focused on power and the relationship between individuals, this relationship through a common fear to maintain control, so let itself to form a fortress against unknown dangers, and these dangers could suddenly attack unsuspecting people. Artists advocated by these forms of psychological oppression, an unspoken contract is used to protect against the new virus infection, and in exchange, part of the freedom of the individual powers and between individuals will be abandoned.
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